With finely sculpted porcelain-and-stoneware ceramics pigmented in pastel hues, Genesis Belanger (b. 1978) creates fantastical objects that cull the uncanny from the everyday.
“Genesis Belanger: Holding Pattern,” 2019. Exhibition view: New Museum, New York. Photo: Charles Benton
Storefront Window, South Galleries Get Directions
Seemingly mundane items— from cigarette stubs to soda cans, handbags and stray pills—are rendered strange as they become surrogates for the body, evoking both comfort and disquiet. Belanger conjures associations rich in references from Pop Art to the Surrealist object to seventeenth-century Dutch vanitas paintings, yet her work’s psychic impact remains acutely attuned to archetypes of the present. Belanger’s elegantly smooth and supple forms often contrast with their darkly humorous insinuations relating to pertinent subjects such as mass production, chemical dependency, and the absurdity of patriarchy.
“Holding Pattern,” Belanger’s installation in the New Museum’s Storefront Window, takes inspiration from liminal spaces such as office waiting rooms, hotel lobbies, airport lounges, and other areas where people dwell in a state of limbo. Belanger’s objects invoke this liminality, often appearing limp or wilting as if they have been left in place for a long time or melted under high heat. Viewers peer through the window onto a receptionist’s desk adorned with office supplies and an uneaten lunch, while an open desk drawer reveals items one might consume in order to cope with the stresses of daily life such as candy, a bottle of liquor, and pill packets. A low bench with two grinning lamps awaits possible visitors and a color-paneled curtain punctuates the threshold between the windows, separating the space of waiting from that of anticipation. Ceramic bricks wrapped daintily with notes are scattered throughout the installation, perhaps waiting to be pitched through a window allowing those trapped in purgatory to break free.
“Genesis Belanger: Holding Pattern” joins a new series of Storefront Window installations that relaunches a program the New Museum originally mounted in the 1980s.
This project is curated by Margot Norton, Curator.
Genesis Belanger (b. 1978) lives and works in Brooklyn. Recent solo and two-person exhibitions include “A Strange Relative” with Emily Mae Smith at Perrotin, New York (2018), and “Cheap Cookie and a Tall Drink of Water” at Mrs. Gallery, New York (2017). Belanger has forthcoming solo shows at Ghebaly Gallery, Los Angeles (May 2019), and Galerie Rodolph Janssen, Brussels (November 2019). Group exhibitions include the Aldrich Contemporary Art Museum (2018), Reyes Projects (2018), Pioneer Works (2016), and Invisible Exports Gallery (2016) in New York. She is the recipient of the 2016 Rema Hort Mann Foundation Emerging Artist Grant and was a Pioneer Works Fellow in 2017. Belanger received a MFA from CUNY Hunter College in 2012 and a BFA from the Art Institute of Chicago in 2004.
